Fucking Possible Comic Best May 2026

The fourth time, you cry at the ending where nothing is resolved. Because that’s the point. There’s a moment—no spoilers—in the 1893 sequence where a character experiences a horrific accident involving infrastructure. It’s drawn with cold, Victorian precision. You turn the page. And Chris Ware has drawn an insert of a paper cut-out toy of the same accident. Instructions: “Cut along dotted lines. Fold. Glue.”

Because its greatness is partly extrinsic. It’s a vital historical document. But would Maus be as revered if the Holocaust wasn’t its subject? The craft is undeniable, but the “fuck” factor is one of horror, not revelatory joy. It’s essential. It’s not the best. Sandman #1-75 (Neil Gaiman & various artists) The case for: The Sound of Her Wings . The Cereal Convention. “Sometimes you wake up.” Gaiman turned horror into myth and myth into therapy. It’s the most literary comic ever.

But let’s be honest: Every comic reader has had that 2 a.m. argument. The one where voices rise, beer bottles become gesticulating weapons, and someone eventually shouts, fucking possible comic best

Yes. It’s Jimmy Corrigan: The Smartest Kid on Earth .

Jimmy says nothing. The next panel is a close-up of his hand. Trembling. Holding a paper cup. The fourth time, you cry at the ending

No other comic rewards slow reading like Jimmy Corrigan . You stare at a single page for five minutes. You notice the sign in the background that says “REGRET.” You see the shadow of a father who isn’t there. Ware’s craftsmanship is so obsessive it becomes pathological. And that pathology is the point. Before Jimmy Corrigan , comics had panels. After Jimmy Corrigan , comics had excavations . Ware invents a new language of time: inset panels within panels, dream sequences disguised as reality, instructions for paper toys that mirror the protagonist’s desire to build a functional family.

Watchmen is smarter. Maus is more important. Sandman is more magical. But Jimmy Corrigan is the truth. And the truth, however miserable, is always the fucking best. It’s drawn with cold, Victorian precision

It’s the most disturbing, genius, psychopathic move in comics history. He turns trauma into a craft project . He forces you to participate. That is the “fuck” factor at its purest. So. Is it fucking possible to pick the comic best?