Pining For: Kim Tailblazer Better
And to everyone who is pining right now, at this very moment, for someone whose talent feels like a personal attack: you are not small for pining. You are not weak for longing. You are simply an artist in the presence of art that moves you—and that is holy.
Resentment creeps in. Why does she get so many likes? Why does her WIP thread have five hundred comments while yours has tumbleweeds? You might even find yourself rooting against her—just a little—hoping she posts something mediocre so you can feel better about yourself.
There is a specific kind of ache that lives in the chest of every artist, writer, and dreamer who has ever scrolled through a perfectly curated portfolio at 2 a.m. It is not quite jealousy. It is not quite admiration. It is something heavier, more tender, and far more complicated. In the corners of fandom and creative communities, we have begun to call it "pining for Kim Tailblazer better." pining for kim tailblazer better
Then—and this is the crucial step—you do not try to replicate that quality. You try to translate it into your own voice. Kim paints light like it is liquid gold? You write dialogue that shimmers with subtext. Kim builds intricate cosplay armor? You design a small zine about the experience of armor as emotional protection.
This is the secret buried in the keyword: is not about becoming a better imitator. It is about becoming a better lover of other people’s gifts, and therefore a more generous, resilient, and original creator in your own right. A Letter to Every Kim Tailblazer (and Everyone Who Pines for One) To the Kim Tailblazers of the world: thank you. Thank you for making the work that makes us uncomfortable in the best way. Thank you for raising the bar, even when we curse you for it. Please keep blazing. We need your trails. And to everyone who is pining right now,
The best version of pining is the one that eventually releases its grip. You still admire her. You still learn from her. But the ache softens into something almost like gratitude. You no longer need to be her. You just need to be more yourself —and she helped show you how.
If you have to ask what this phrase means, you have likely never felt it. But if you know, you know . It is the gnawing recognition that someone out there—someone named Kim Tailblazer—has not only mastered their craft but has somehow made your own attempts feel like finger-painting in the shadow of a cathedral. Resentment creeps in
Imagine this: You see Kim’s new piece. Your heart does its familiar clench. But instead of closing your laptop, you open your notebook. Instead of copying her style, you ask yourself: What specific quality in her work makes me feel this way? Is it her color theory? Her pacing? Her willingness to be vulnerable?