Young Girls Of Rochefort -1967- Criterion -... — The

The Criterion Collection has done more than preserve a film; they have preserved a specific frequency of happiness. To watch this restored version is to understand why Jacques Demy is a saint to directors from Damien Chazelle ( La La Land owes this film its entire color palette) to Wes Anderson.

But plot is secondary to vibe . Demy, working with composer Michel Legrand (who scored Umbrellas and later The Thomas Crown Affair ), crafted a town where the sidewalks are washed in pastels, the jazz orchestras play on flatbed trucks, and everyone spontaneously breaks into intricate choreography. The Criterion release allows modern audiences to appreciate the film’s most poignant subtext: the real-life bond between the two leads. Françoise Dorléac was a blazing talent—edgier, more cynical, and more volatile than her younger sister, Deneuve. Off-screen, they were inseparable. On-screen, their chemistry is electric, a genuine shorthand of sisterly exasperation and adoration. The Young Girls of Rochefort -1967- Criterion -...

Watching Kelly—then 55 years old—tap dance through a French square while wooing a French waitress is surreal and joyful. The Criterion transfer captures the sweat and effort of his dance; you see the master at work, not a digitized ghost. It acts as a bridge between MGM’s golden era and the European art film, a handshake between Hollywood and the Left Bank. First-time viewers are often thrown by the film’s subplot: a murder mystery involving a traveling salesman and an art dealer. Why, in a candy-colored musical, does Demy include a severed head in a suitcase? The Criterion Collection has done more than preserve